l-r: Gledhill, Videkanic, Bride, Les Fermières Obsédées

This hot Halloween tip came in on our tipline Saturday afternoon:

“Performance art outfits easily turn into Halloween costumes with minimal outlay of cash.
Source: Some hawt sailor hanging outside of Emmedia.”

Great idea, anonymous tipster!

ps: I think I saw the aforementioned pair of sailors while returning gear to Emmedia this afternoon. Hot indeed!

• A bucket of horse urine (Randy Gledhill)
• “At least a dozen babies or small children” (Bojana Videkanic & Nahed Mansour, presumably for kissing)
• “A chainsaw, on fire if possible” (Jack Bride)
• Three dozen jars of marshmallow fluff and a bottle of lighter fluid (Les Fermières Obsédées)
• Caffeine pills and an espresso machine (Megan Morman)
• A live frog (Pauline Cummins)

Dick Averns‘ caravan left the Epcor Centre shortly after 10:30am on Sunday. Missing was the vehicle carrying Les Fermières Obsédées, reportedly driven by a chronically-speeding, caffeine-addict volunteer. The caravan stopped in Claresholm for lunch at Roy’s Place, which sported a sign saying “Hippies Use Backdoor”.

MacKenzie Boyle & Karly Mortimer

After the lecture and performances at the SAAG, festivalgoers walked and drove around the city to half a dozen closed-for-Sunday-night bars before ending up at TenTen on Mayor Magrath Drive. The kitchen was closed, but artists munched on free popcorn and told stories of puking during and after performances.

An informant emailed this photo of Randy Gledhill to artgossip.ca.

At TenTen, Randy Gledhill made good on his promise to finish Wednesday’s story of his road trip with the Hell’s Angels. In this episode, they save him from another run-in with gayhippy-bashing cowboys, and, as thanks, he gets them high on weed.

Near the end of the night, confusion over where the visiting artists would stay became acute as people grew tired and tipsy. “I have no fucking idea where I am and I have no idea where I’m supposed to be!” exclaimed Andy Paterson. Artistic Director Tomas Jonsson left to book a hotel room while Sarah Jane Christensen ordered Domino’s pizza delivery directly to the bar.

W.O.R.K.S. artists performing Stuart Marshall’s Tape Loop Delay Grid. l-r: Clive Robertson, Paul Woodrow, Matt Rogalsky

I started to get excited for W.O.R.K.S. Among the Easels when I overheard Clive Robertson talk about guitar smashing.

“It takes 8 minutes. It always smashes the exact same way.”

Volunteers and artists who arrived at Royal Canadian Legion early had plenty of time to speculate on the future of the musical instruments, beer bottles, and other objects laid out neatly inside a grid of green painter’s tape on the floor.

Festival artists watching final setup of W.O.R.K.S.’ stage. l-r: Chumpon Apisuk, Chun Hua Catherine Dong, Terrance Houle, Mary Babcock

1. W.O.R.K.S., Allison Knowles’ Shoes of Your Choice (1963)
2. W.O.R.K.S., Captive Audience (1972)
3. Paul Woodrow, Bookmusic (1973)
4. Johanna Householder & Terrance Houle, Eric Anderson Opus 1001 (c. 1964)
5. Matt Rogalsky, Christian Wolff’s Stones (1968-74)
6. Clive Robertson, John Danvers’ Stagnant Water (1973)
7. Johanna Householder, Video excerpt: 8 Legged Dancing from Possible Futures (1976) & Excerpt from Janice Hladki’s A Party (1977)
8. Terrance Houle with Dan Wilson, Not Sure I Have a Title (2012)
9. W.O.R.K.S., Stuart Marshall’s Tape Loop Delay Grid (1971)
10. Paul Woodrow, Shoe and Candle Piece (2012)
11. Clive Robertson, Robin Page’s Kicking a Guitar Around the Block (1962-5)

Original W.O.R.K.S. members Robertson and Paul Woodrow, along with collaborators Johanna Householder, Matt Rogalsky and Terrance Houle, recreated a selection of infamous and playful performances from the 1960s and 70s, both their own and other artists’, and performed several new works.

The evening began with two shoe-related pieces. First, audience members were invited onstage to talk about their shoes. In Captive Audience, artists collected the audience’s shoes and arranged them on stage, so if anyone wanted to leave, they’d have to enter the performance space to publicly retrieve them. Artist Randy Gledhill, Executive Director and Curator of Vancouver’s LIVE Performance Biennale (catch him Wednesday night at the Old Y), refused to relinquish his shoes, and was nearly pulled onto the floor when Robertson yanked them off his feet.

Matt Rogalsky rubbing, scraping, jangling, dropping, and rocking rocks during Stones. Plus three videographers.

During her reenactment of A Party, Householder crushed All Dressed flavour Ruffles with the heel of her black pump. We learned at the beginning of the evening she calls these her “Maybe Shoes”, and has performed in them regularly since her work with The Clichettes in the 1980s.

Terrance Houle’s glasses flew off while headbanging. Rock on, Terrance!

When Houle took the stage with a big drum and Dan Wilson on electric guitar, ACAD Professor Rita McKeough began to stuff bits of tissue in her ears in anticipation of extreme volume–which Houle delivered, as he drummed and sang traditional songs arranged as metal.

The evening’s finale was a reenactment of Robin Page’s classic interactive work Kicking a Guitar Around the Block. After Robertson noodled a toy electric guitar, a didactic black and white video explained what would happen. After distributing plastic bags to collect the guitar’s bits and splinters, Robertson coaxed the crowd out the Legion’s back door. To everyone’s surprise, the guitar only made it 100 feet down the sidewalk before an over-enthusiastic kick launched it onto some nearby hoarding, attracting the concerned attention of several construction workers. The full garbage bags were then taken inside and the pieces arranged in a neat line on the floor.

Guitar, Before and During

l-r: Allison Cummings, Randy Gledhill, Chumpon Apisuk, Johanna Householder

After Allison Cummings’ performance at Epcor, artists gathered at the Old Y Centre, site of M:ST’s office. Eventually the conversation turned to wine, and the group left for a drink next door at Hop In Brew Pub.

Johanna Householder, Chumpon Apisuk, Randy Gledhill, and Allison Cummings launched into a discussion of Thai art politics, which soon turned into enthusiastic stories of drinking customs at the international festivals each had performed at. Drinking an Aprikat, the animated Gledhill recalled an anecdote about skyping with a “festive” Vasan Sitthiket at 4am Bangkok time.

Later, the group was joined by Terrance Houle, Dan Wilson, festival Artistic Director Tomas Jonsson, and, briefly, trans musician/heartthrob Rae Spoon, in town filming an NFB documentary.

See Johanna Householder and other Canadian performance luminaries perform W.O.R.K.S. tomorrow evening at the Royal Canadian Legion.